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Dots

Tune Melodi från Vest-Agder

Also known as:

  • The Four-Note Tune

What's fascinating to me about this tune is how much it does with so little. The second part feels like a revelation, like the sun coming out after the overcast of the first part, and yet they're so very nearly identical. Each part has what I think of as being a "Stonehenge" structure, with a phrase repeated and then capped by a second phrase.

Obviously the mystery resides in the performance. For intonation, rhythm and variation — for the soul of the tune, that is — please listen to Styrbjörn Bergelt's beautiful version on YouTube which is embedded in this page.

I play this in D, but I think Bergelt plays it in A. I just like the way it sounds and falls under the fingers in D, and since the recording isn't played on the fiddle, I feel comfortable to do whatever feels right. In the recording, there's a drone on the Dominant below the melody, which is a bit harder on the fiddle, so I drone on the A string more than on the A below, because I do not want the bother of retuning. But you could retune your G string up to A: that would sound great if you don't mind the faff.

Or — and I haven't tried this, but — you could play it in A, retuned to CAEA: then you'd have the Mediant above and the Dominant below!

Trad arr. © 2025 Ben Paley

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Recordings:

  • Styrbjörn Bergelt, "Tagelharpa och Videflöjt", 1979

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