Tune Sales Tax Toddle
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N.B. MIDI is a terrible way to learn a fiddle tune!
This strange tune comes from the playing of the Nations Brothers in 1935. You can hear it on Vol 1 of County's "Mississippi String Bands" compilation, and of course it's on YouTube.
ORDER OF EVENTS
N.B. don't trust the MIDI.
1 — Introduction. You'll only play this once.
2 — A - as many times as you like
3 — A1 - once
4 — A - once
5 — A2 - once
6 — A - once
7 — Interstitial nightmare
8 — B - as many times as you like
9 -- B1 and back to step 2
OR
9 — B2 and stop.
I know perfectly well that you can't read from this. I've chosen where to put the bar lines in order to simplify the transcription, and eliminate things like first and second time bars, so that the bars don't really represent the phrasing. Listen to the Nations Brothers recording! Hopefully this will save you a bit of time in understanding what's going on.
Incidentally, the process of transcription was fascinating to me and revealed some interesting facts, such as that the "Interstitial nightmare" can be seen as consisting of a single repeated four-beat phrase. I don't feel that this representation well represents the phrasing of the tune, but there it is, so perhaps it's my analysis that's at fault! Or, perhaps better to say that your analysis might differ. In any case, you should pay more attention to your ears than your eyes in this case in particular.
Trad arr. © 2005 Ben Paley
Generating the image...
Recordings:
- The Nations Brothers, "Mississippi String Bands - Volume Two"
ShowHide ABC
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X:1
T:Sales Tax Toddle
L:1/8
M:C|
C:Trad arr. © 2005 Ben Paley
N:This strange tune comes from the playing of the Nations Brothers in 1935. You can hear it on
N:Vol 1 of County's "Mississippi String Bands" compilation, and of course <a
N:href="https://www.youtube.com/watch?v=H2JMyjlQMNo">it's on YouTube</a>.
N:ORDER OF EVENTS
N:N.B. don't trust the MIDI.
N:1 — Introduction. You'll only play this once.
N:2 — A - as many times as you like
N:3 — A1 - once
N:4 — A - once
N:5 — A2 - once
N:6 — A - once
N:7 — Interstitial nightmare
N:8 — B - as many times as you like
N:9 -- B1 and back to step 2
N:OR
N:9 — B2 and stop.
N:I know perfectly well that you can't read from this. I've chosen where to put the bar lines in
N:order to simplify the transcription, and eliminate things like first and second time bars, so
N:that the bars don't really represent the phrasing. Listen to the Nations Brothers recording!
N:Hopefully this will save you a bit of time in understanding what's going on.
N:Incidentally, the process of transcription was fascinating to me and revealed some interesting
N:facts, such as that the "Interstitial nightmare" can be seen as consisting of a single repeated
N:four-beat phrase. I don't feel that this representation well represents the phrasing of the
N:tune, but there it is, so perhaps it's my analysis that's at fault! Or, perhaps better to say
N:that your analysis might differ. In any case, you should pay more attention to your ears than
N:your eyes in this case in particular.
O:Mississippi, USA
Q:1/4=172
D:The Nations Brothers, "Mississippi String Bands - Volume Two"
Z:Ben Paley <ben.paley@benpaley.com>
K:G
P:Introduction
| [G4B4] [G2B2][G2B2] | [G2B2] ef gedB ||
%
P:Phrase A
|: A2 ag | fdf2 f3f- | -fedB :|
%
P:Phrase A, first variation (A1)
| A2 ag | fdef g3a | gedB ||
%
P:Phrase A
| A2 ag | fdf2 f3f- | -fedB |
%
P:Phrase A, second variation (A2)
| A2 a2 | abaf g2ga | gedB ||
%
P:Phrase A
| A2 ag | fdf2 f3f- | -fedB |
%
P:Interstitial nightmare
|: AFAc BGAF | G2 BA GedB :|
%|
P:Phrase B
|: G2 B2 F2 A2 | G2 B3 A FA :|
%
P:Phrase B last time back into the A (B1)
| G2 B2 F2 A2 | G2 ef gedB ||
%
P:Phrase B when you're finishing the tune (B2)
| G2 B2 F2 A2 | G2 ef gedB | G2 [G,2G2B2g2] |]