%%abc-version 2.1 %%abc-copyright (C) Copyright Ben Paley 2024 %%writefields N %%writefields D %%measurenb 0 %%partsbox 1 X:1 T:Marsch efter Hans Dalfors från Ore T:March from the playing of Hans Dalfors from Ore L:1/8 M:C| C:Trad arr. © 2022 Ben Paley N:In the A part you'll notice that I'm anticipating the first note of bar 7, starting it in bar N:6. This is only a suggestion*, of course and, as written, it comes out as quite an extreme N:syncopation - extreme in the context, at least. You might like to de-emphasise this in your N:playing, or ignore it completely. N:In the third bar of the harmony, I've written both B to D and B to G. I think it sits very N:nicely like this, providing some movement against the repetition in the melody, but you might N:like to play one note both times: I offer them as alternatives. N:[*this is a joke, because the Swedish word for suggestion, "förslag", has a technical meaning N:in music to do with anticipating and retarding notes. Do you love puns that have to be N:explained? I do.] O:Dalarna, Sweden R:March D:Ola Bäckström and Per Gudmundsson, "Ola & Per", 2001 Z:Ben Paley K:D V:M clef=treble name="Melody" snm="M" V:H clef=treble name="Harmony" snm="H" %%score M|H % % P:A [V:M] A2 |: d2fe d2f2 | A3B A2GF | G2AB G2B2 | ABAG FDFA | [V:H] D2 |: F2AG F2A2 | D3E F2ED | B,2D2 B,2G2 | FGFE DA,DE | % [V:M] d2fe d2f2 | efed e2FG - | GAGF GAB=c |1 A6 A2 :|2 A6 GF | [V:H] F2AG F2A2 | cdcB c2A,B, - | B,=CB,A, B,DGA |1 F6 D2 :|2 F6 DB, | % % P:B [V:M] |: G2g2 g2=fe | d2e=f f2ed | cdef ^gabg | a6 GF | [V:H] |: G,2_B2 B2AG | =F2Ad d2cB | ABcd efeB | c6 DB, | % [V:M] G2g2 g2=fe | d2e=f f2ed | cdef gbac | d3f efec |1 d6 GF :|2 d6 |] [V:H] G,2_B2 B2AG | =F2Ad d2cB | ABcd cBAG | F3A GAGE |1 F6 DB, :|2 F6 |]